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from Film Quarterly Fall 2016, Volume 70, Number 1 Barbara McBane Everything changed in 1984. I sang so loud I exploded. Since then I explode from time to time.1 1. Desynchronization How is it that Chantal Akerman’s films feel so close to raw experience? Akerman has said, “I want the spectator to feel…the time used […]

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This page contains documentation of the final two nights of the Eduardo Coutinho retrospective presented by the Pacific Film Archive at the Berkeley Art Museum (BAMPFA)

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